Thursday 26 June 2014

Lijiye Saahab, Chaat Khaiye!


सलाम साहब! क्या लेंगे? चाट, पापड़ी, भल्ले टिक्की? आज मौसम तो देखिये जनाब, काले घने बादल और ठंडी हवा। पानी की हल्की बौछार में मस्जिद और भी सुंदर लगती है। बारिश में गर्मागरम टिक्की कर दूँ? चलिये, अभी कर देता हूँ।


पंडितजी राम-राम! अरे, एक बार देख दो लिजिये। ये देखिये साहब, कोने वाले हनुमान मंदिर के पुजारी हैं। हमारे गिने-चुने ग्राहकों में से एक थे, जब मैं अपना ठेला वहाँ, मंदिर के पास लगाता था। पर वहाँ कुछ ज़्यादा ग्राहक नहीं थे। जामा मस्जिद के बाहर ज़्यादा लोग थे, बिक्री भी ज़्यादा थी, तो ठेला यहाँ लगाना शुरू कर दिया। तबसे पंडितजी ने यहाँ आना बंद कर दिया है, शायद इसलिये क्योंकि पास में ही सोनू का चिकन-कोर्नर है। 


मेरे ठेले की जगह बदली है, मगर नाम आज भी वही है।
“लैला ने कहा मजनू के कान में,
चाट खाना पप्पू की दुकान में।”

जामा मस्जिद के बाहर जितने लोग हैं, उतने ही ठेलेवाले। बिक्री कम हो जाती है। वैसे मुझे एक बात आज तक समझ नहीं आयी। भगवान् ने भी एक अजीब ही दस्तूर चलाया है, हर जगह अलग भगवान् और सभी के भगवान् सच्चे।

चलिये छोड़िये हुज़ूर, मुझे तो खुद कुछ समझ नहीं आता, आपको क्या समझाऊँ?
यदी रात को बीवी-बच्चों का पेट भर जाए तो गनीमत मानिये। और आप, कंधे पर बस्ता पहने हुए, गर्दन में कैमरा लगाए, लगता है घूमने निकले हैं। लाजवाब जगह है चांदनीचौक। पुरानी है, मगर है अपनेआप में बेहतरीन।

वैसे सोच रहा हूँ कि गुरुद्वारे के बाहर लगाऊँ अपना ठेला। आजकल वहाँ लोगों का आना-जाना बढ़ रहा है। कोई चाटवाला आस-पास है भी तो नहीं। आप छोड़िये इन बातों को। लीजिये चाट खाइये।

Thursday 15 May 2014

Her God- A Visit to Vrindavan

It was on my recent visit to Vrindavan that it stuck me to think about the commerce behind a
religion. Vrindavan is near Mathura, the birth place of Lord Krishna, and holds great
importance for Hindu devotees. In a market around the very famous Bankey Bihari Temple,
there are a lot of amusing things. The whole market is filled with the fragrance of Pedas and rose garlands.

Dus Rupaye ki gulaab maala. Bihari ji ke liye.” the vendors were shouting.
Le lo, le lo. Aage bees ki milegi.” was a great deal. He wasn't lying.
The whole street seemed to be crowded with beggars. I mean so many arms spreading towards
you. Many of them deformed, weak and frail. There was sympathy, but little could be done. As
I continued my way, one of them followed me. Pulling one end of the shirt, the old woman said
Beta paanch rupiye de do. Chai piyungi.” She was looking too sad and frail. I scanned my
purse and the least notation was a ten rupee note.
Bihari ji bhala karein tumhara.
But this wasn't enough. The fellows had really sharp eyes to ignore a ten rupee note. In a few
moments, I was being followed by three of them, and i realized it was not a really good idea to
give the old lady a ten rupee note.


Another very interesting thing about Vrindavan is the huge population of monkeys there. The
little street had many monkeys, spread over the entire market waiting for the perfect
opportunity. My amazement on watching these monkeys was replied by the rickshaw wala in a
poetic manner.
“Vrindavan ke teen adhikaari.
Baba, Bandar aur Bhikhari.”

I had heard they snatched purse, spectacles, food items and other things. I myself witnessed a
couple of snatching by the clever thieves. Behind me was a short man, probably in his early
forties. I became aware of his presence only when he shouted. His spectacles were gone. The
little monkey sitting on the top of the Mithai shop had a clean pick.
Another monkey was already sitting at some distance on the top and chewing something shiny.
Some people were standing beneath him, requesting him to return back the object. It was later I
realized that a lady had just bought an idol of Lord Krishna, which was very small. And this
same idol was in the mouth of this monkey.
He was eating their God.
The hall of the temple was really crowded. The people were struggling, pushing each other to
reach nearest to the idol. The priests were taking the garlands along with some money to be
offered to the idol, which then ultimately goes to the authorities of these priests. This
commercialization of religion was not pleasant.
On my way back, I had to go through the same market.
“Wo jo beech mein hai murti. Kitne ki hai?”
“Tees hazaar.”
“Arre wo badi waali nahi, chhote wali.”
“Haan Haan. Tees hazaar.”
Such prices, Much wonder. I walked past the shop to a sweet shop to taste some delicious Pedas,
inhaling the fragrance of the abundant rose garlands, wondering if that old lady would ever be able to buy that idol for her. Probably not.
It was her God that was helping her make the two ends meet. Her God was the means of her
existence. But more important to her was the meal, one or two, at the end of the day.

Thursday 20 March 2014

Songs Next Door

Door chaahat se mei'n apni chalta raha
Khamakha bewajah khwaab bunta raha.

The accent was perfect. The pitch a bit too high. The guitar was a faithful complement. Such sweet music floated through the air of the summer night to please my ears. Life had not been happening. Nothing much to do. Studies. Social Media. Stuck up friendship. Illusions of success. Realities of failure. As I type this, the man next door, Ayan, restarts his song. The notes went wrong somewhere in the middle. And it was a difficult turn to take. And he starts again, this time, making a much better attempt.

Ye ho'nsla kaise jhuke,
Ye aarzoo kaise ruke
Manzil mushkil to kya,
Dhundhla saahil to kya,
Tanhaa ye dil to kya...

His next song is a masterpiece from Shafqat Amanat Ali. The composition is engaging. The words are inspiring. For a moment, the smoothness of his voice compells me to think over the life again and again. Inspirational thoughts start to rush in, when suddenly he fumbled over the high pitch of the song. Ali's voice is too sharp and trained for the song. He tries again to reach the level, fails, again, fails. This time, he starts with a couple of notes lower than the earlier one. He manages to sway through the composition with ease.

Udta hua wo aasmaa'n se Jakar gira zamee'n par,
Aankho'n mei'n phir bhi baadal hi thhe wo kehta raha magar...

Kailash Kher's voice echoed in the brain as Ayan played the very beautiful song. He was trying to take similar notes as the original version, and his vocal chords managed to do that for some extent. Only his guitar went a little off stream. But he does not stop. Instead continues and plays the later part flawlessly.

Kisi ki muskurahato'n pe ho nisaar,
Kisi ka dark mil sake to le udhaar,
Kisi ke vaaste ho tere dil mei'n pyaar,
Jeena isi ka naam hai...

The old classic by Mukesh has been one of my favourites. I find myself listening to Ayan with more concentration and fail to engage in the assignment I was typing earlier. The song stands for the meaningful lyrics that Bollywood produced in the 80s. The singing was swift and pleasant when suddenly my room-mate started singing a Bollywood number in his loud voice. Only if he was not wearing those earphones would he realize that he should stop singing. Probably, this harshness was reality. Well, I could restart with my assignment. And Reality.


P.S Ayan sings really well. And my room-mate sings really bad.

Wednesday 26 February 2014

The Habit

The following is an informal interview/questionnaire.
I ask questions.
She answers.

M- It's when my brother hides my packet of light before Mom sees it, he feels that she shouldn't feel a lot awkward about my habit.
K- Will you leave it, the habit?
M- I don't know, K.
K- Do you write after you smoke? My seniors say they write after smoking or drinking. Being High!
M- I can write otherwise too.
K- Could you call any of them better than the other?
M- Purely subjective. Sometimes I write only to erase.
K- Does it work? I mean writing about something make you forget the feeling?
Or is it a short term, temporary alternative/shelter?
M- I can not write while I am still under the effect of feelings.
I mean, I do random writing, and then not show it to anybody.
K- Oh. I think many people follow the latter part. Some for the fear of the work being too dilute/weak. Some to maintain privacy. You?
M- It's not worth, simply. I keep it, nevertheless, because it reveals new ideas sometimes.
K- And do you ever read it? I remember reading my poem, written long ago. 'Seriously Keshav. You wrote it?' was the reaction.
M- That is how it is supposed to be. Your mind has to evolve. Sometimes you will write better, and sometimes it will be pathetic.
K- Well, I rarely find mine better than pathetic.
M- Someone once told me that undermining yourself is only good until it starts hindering your flow. Let it roll.
K- Do you mind if I share it? Anonymously?
M- No worries.


Here is the link to her blog: www.mohitar.wordpress.com